Wednesday, March 11, 2026

World of Archie Comics Double Digest #68, 196 pages

 More MUSICAL MADNESS in the NEW story "The Fill-In!" The Archies are at the end of their latest tour when the unthinkable Jughead gets sick from eating some bad food at a hole-in-the-wall on the road. They need a replacement drummer ...fast! Introducing... Jughead's little sister Jellybean!




World of Archie Comics Double Digest #64, 196 pages

 When Reggie "gifts" Archie with a snow spinner, will Archie and the gang have a blast in the snow, or will someone end up limping home -- and most importantly, will Betty still have a date for the holiday dance at the end? Find out in "Spinner Winner!" the hilarious new lead story to this comics double digest!




Beard Science by Penny Reid, 378 pages

 Make a deal with the devil and you might get what you want, but will it be what you need? 


Jennifer Sylvester wants one thing, and that one thing is NOT to be Tennessee’s reigning Banana Cake Queen. Ever the perpetual good girl and obedient daughter, Jennifer is buckling under the weight of her social media celebrity, her mother’s ambitions, and her father’s puritanical mandates. Jennifer is officially desperate. 

And desperate times call for Cletus Winston.

Cletus Winston is a puzzle wrapped in a mystery covered in conundrum sauce, and now he’s in a pickle. Despite being convinced of his own omniscience, extortion by the exalted Banana Cake Queen of Green Valley has taken him completely by surprise. So... what’s a maniacal mastermind to do? 

Likely, the last thing you expect. 





Sunday, March 8, 2026

Tell Me a Story Where the Bad Girl Wins by Caitlin McGurk & Emily Flake, 288 pages

 This gorgeous art book celebrates the work and legacy of Barbara Shermund, one of the first female cartoonists for humor and lifestyle magazines in the United States, including The New Yorker and Esquire.

Tell Me a Story Where the Bad Girl Wins doubles as an official biography and coffee table art collection honoring the life and art of pioneering cartoonist Barbara Shermund, an unheralded early master of magazine cartooning whose career spanned the heyday of American magazines from the 1920s–1960s. Her sharp wit and loose style boldly tapped the zeitgeist of first-wave feminism with vivid characters that were alive and astute. Shermund’s women spoke their minds about sex, marriage, and society; smoked cigarettes and drank; and poked fun at everything in an era when it was not common to see young women doing so. Shermund left behind a body of work that was ahead of its time and remains insightful, witty, relevant, and contemporary.

As one of the first women cartoonists to work for The New Yorker the year of its launch in 1925, she created nine covers and more than 600 cartoons for the magazine, in addition to countless spot illustrations, giving the nascent publication its unique visual brand. Shermund later became a mainstay at Esquire; contributed to Life, Colliers, Judge, and more; had a syndicated newspaper cartoon published by King Features; and illustrated a variety of books. In 1950, Shermund was among the first three women to be accepted as a member of the male-dominated National Cartoonist Society. A compelling facet of Shermund’s work is her frequent nods to queer audiences, which appeared in her work more than that of any of her contemporary New Yorker cartoonists. There are indications in her personal files that she also may have been queer, including love letters and other personal archives.

Readers will discover Shermund’s unique and vibrant life and art and gain an understanding of how women’s place in the history of cartooning has been controlled and sublimated by greater societal and cultural allowances. Through close readings, archival research, reproductions of original art, correspondence and photographs, this volume uncovers and celebrates a trailblazing female magazine cartoonist, and rightfully places her in the canon of cartoon art history.




Saturday, March 7, 2026

World of Archie Jumbo Comics #62, 196 pages

 Archie, along with his furry friend Vegas and brainy buddy Dilton, are visiting Denny -- a young, shy boy who Dilton has worked with to create his own website. Meanwhile, Vegas helps some shy, young friends of his own when he encounters some abandoned puppies left under a garbage dumpster in a rain storm. Can he find safety for these pups? How can Denny help? Find out in "Happiness is a Wagging Tail!" the heart-warming lead story to this comics annual!



World of Archie Jumbo Comics #61, 196 pages

 It's the last weekend of summer and Archie has every intention of making the most out of his final day of freedom before school starts! There's just one problem... The List! Archie's dad gave him a list of chores at the beginning of the summer that he swore would be done before school started. Well, he's out of summer and not a single chore has even been started, so Archie's not going anywhere until he clears that list! Will he complete his chores in time to still have some fun, or will his last day of vacation be a real summer bummer?




Letters From the Dust Bowl by Carolyn Henderson, 296 pages

 In May 1936 Secretary of Agriculture Henry A. Wallace wrote to Caroline Henderson to praise her contributions to American "understanding of some of our farm problems." His comments reflected the national attention aroused by Henderson’s articles, which had been published in Atlantic Monthly since 1931. Even today, Henderson’s articles are frequently cited for her vivid descriptions of the dust storms that ravaged the Plains. Caroline Henderson was a Mount Holyoke graduate who moved to Oklahoma’s panhandle to homestead and teach in 1907. This collection of Henderson’s letters and articles published from 1908 to1966 presents an intimate portrait of a woman’s life in the Great Plains. Her writing mirrors her love of the land and the literature that sustained her as she struggled for survival. Alvin O. Turner has collected and edited Henderson’s published materials together with her private correspondence. Accompanying biographical sketch, chapter introductions, and annotations provide details on Henderson’s life and context for her frequent literary allusions and comments on contemporary issues.